“They Don’t Make Em Like Me” by Pigeon John
Motorola RAZR
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“They Don’t Make Em Like Me” by Pigeon John
Christian brings over a decade of experience in the music industry, starting as a singer-songwriter and evolving into a versatile multi-genre music producer. Currently serving as a music sync licenser with Mutiny Recordings, Christian leverages his artistic insights to enhance the business aspects of music synchronization. In his brief tenure at Mutiny, he has successfully secured placements for numerous tracks he has written and produced across films, television shows, and commercial projects.
Outside of his professional pursuits, Christian is an avid golfer and basketball enthusiast.
Ryan Fitch brings more than 15 years of experience in music, entertainment and culture and an expertise in combining the three in communications. As a longtime music supervisor and producer for New York-based creative agency, Saatchi & Saatchi, Fitch spent more than 10 years orchestrating big brand licensing deals, while working closely with thousands of different artists, labels and publishers. Over the years, Fitch’s client list has included the world’s largest international brands such as CocaCola, Samsung, Facebook, Miller, P&G, General Mills, and countless others. During his tenure at Saatchi & Saatchi his production prowess helped the agency win many awards including the international award “Agency of The Year” at the coveted Cannes Film Festival. After Saatchi & Saatchi, Fitch moved on to BMG’s TV and Film Sync Team, and most recently was at Marmoset music leading their A&R team and working closely with emerging indie musicians for sync licensing.
Ryan Gaines has worked in the entertainment industry since 2001 in the fields of film development and production as well as music supervision and licensing. His supervision work started with Spring Aspers at the legendary label Island Def Jam (with JAY-Z at the helm) and transitioned into an in-house position at Walt Disney Studios (Disney, Touchstone, Miramax) spanning a variety of genres and formats from major motion picture releases to independent art-house films and documentaries. Though he continued to supervise independent film after leaving Disney, his main passion evolved to working closely with artists to find their place in the world of licensing. He now owns Mutiny Recordings, providing him with the flexibility of fortifying domestic and global partnerships while expanding the internal team.